Legally Blonde Poster 27x40 Reese Witherspoon Matthew Davis Selma Blair

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Legally Blonde Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

Molly Shannon (Saturday Night Live) and Selma Blair (Legally Blonde) bring their comedy talents to the sassy and fashionably funny series Kath & Kim. Kath (Shannon), a foxy 40-something, and Kim (Blair), a self-absorbed suburban princess, are forced to reevaluate their hilariously askew mother-daughter relationship when Kim moves home after just a few weeks of marriage. Join them in every fun Season One episode as they aspire to be just like the pop culture celebrities they love while dealing with the more down-to-earth men in their lives. Based on the successful ! Australian series of the same name comes this hilarious, tongue-in-cheek look at relationships that has plenty of outrageous style to spare!The American version of Kath & Kim, based on the wildly successful Australian sitcom, owes as much to its talented lead actresses, Molly Shannon (Kath) and Selma Blair (Kim), as to its witty premise, and the combination makes the series a lovely guilty pleasure.

Mother (Kath) and daughter (Kim) are obsessed with celebrity culture and fancy themselves celeb wannabes in their own mall-centric world. Both actresses have perfected the red-carpet catwalk, for instance, with the perfect hair-toss, which nobody but each other--and the viewer--really notices. One of the best bits about the two leads is their penchant for mangling words as they put on airs (think Archie Bunker meets Married with Children…). The malapropos alone make the series worth watching. In making some silly point, Kath declares, in her closing line: "Ips! o fatso." Argument won. But if Kath and Kim are shallower than! the Los Angeles River, they do have big hearts underneath--which gives the series its balance.

Extras include deleted scenes, a gag reel that's truly over-the-top, and spot-on commentary by stars Shannon, Blair, Mikey Day, and John Michael Higgins, as well as the show's executive producers and writers. A lot of talent goes into making these women so perfectly dim. --A.T. Hurley "From Todd Solondz, the critically acclaimed director of Welcome to the Dollhouse comes a film comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/troubled characters, it explores issues of sex, race, celebrity and exploitation. Todd Solondz, director of the acclaimed Welcome to the Dollhouse and the controversial Happiness, continues pushing the envelope of social decorum with the merciless and casually cruel Storytelling, his most ruthless satire of suburban complacency! . Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans. --Sean AxmakerFour college friends meet up again years later and reconnect in ways that will change their lives forever.Legally Blonde reproduction poster print

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The Tuxedo (Widescreen Edition)

• Condition: New
• Format: DVD
• Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widescreen; NTSC

Atlanta's experience over the past 15 to 20 years is reflective of many cities, particularly those in the south and west. Thus, the story of how and why Atlanta has changed is informative for cities in general. What accounts for the positive turn-around of the city of Atlanta? What can other cities learn from Atlanta's experience?

This collection examines changes in the city of Atlanta over the past three decades and explores the factors associated with the observed changes. Beginning with several essays that take a broad focus on the city's demographics and the city's economy, the contributions then focus on more specifics aspects of urban development, such as the changing face of retailing; income and poverty; race and ethnicity; the arts; transp! ortation; and housing and gentrification. Later chapters assess the future prospects for the city. Together, the contributions paint a picture of how the city of Atlanta has changed, why it has changed, and its future prospects. The implications for other major metropolitan centers are broad, and the lessons learned are of relevance to anyone interested in the economic and social health of cities.Asian Edition best of from Jennifer Love HewittThis poster is 22 inches by 33 inches. It is in mint condition.Fonte: Wikipedia. Pagine: 203. Capitoli: Leslie Nielsen, Meryl Streep, Jennifer Love Hewitt, Fergie, Neil Patrick Harris, Samuel L. Jackson, Eliza Dushku, Michael J. Fox, Nicolas Cage, Stacy Keach, John Goodman, Lou Rawls, Brittany Murphy, Ben Stiller, Kristin Chenoweth, Eddie Murphy, René Auberjonois, Jack Black, Vanessa L. Williams, Jane Lynch, Adam Wylie, Carl Lumbly, Hans Conried, Dom DeLuise, Clancy Brown, Roger L. Jackson, James Woods, Pinto Colvig, Sterling Holloway! , Joe Mantegna, Ron Perlman, Nicole Sullivan, Juliet Landau, K! enneth M ars, Melissa Fahn, John DiMaggio, Isaac Hayes, Mila Kunis, Wallace Shawn, David Hayter, David Ogden Stiers, Mae Questel, Michael Welch, Jennifer Hale, Fred Tatasciore, Michael Clarke Duncan, Adrienne Wilkinson, Seth Green, Laurie Metcalf, Dan Castellaneta, Phil Morris, Lacey Chabert, Gil Birmingham, Dana Delany, Hank Azaria, Jeff Bennett, Kelly Ripa, Mark Hamill, Alexandra Breckenridge, Kari Wahlgren, Will Friedle, Kelsey Grammer, Grey DeLisle, Stephen Root, Michael Jai White, Larry Miller, Blake Clark, Joshua Seth, Ray Wise, Nicholle Tom, Bradley Pierce, Kathy Najimy, Charlie Adler, Orlando Brown, Christian Erickson, Chloë Moretz, Billy West, Frank Welker, Justin Shenkarow, Alexander Gould, Adam West, Nathan Lane, Wayne Knight, Eleanor Audley, Rob Paulsen, Ahmed Best, Verna Felton, Bud Luckey, Bryan Cranston, Brad Garrett, Mark Harelik, Timothy Daly, Jim Cummings, Katey Sagal, Jodi Benson, Dee Bradley Baker, Gilbert Gottfried, Diana Muldaur, Christine Auten, Wil Wheaton, K! eone Young, Jim Varney, John Ratzenberger, Myles Jeffrey, Julie Kavner, Nancy Cartwright, Scott Grimes, Annie Potts, Michael Yarmush, Joe Ranft, Keith David, Don Diamond, Patrick Warburton, Lenny Venito, William Conrad, Dominic Scott Kay, Tom Kenny, Eva Gabor, Wanda Sykes, Johnny Yong Bosch, Marcellite Garner, Richard White, Kath Soucie, Bill Farmer, Bob Newhart, George DiCenzo, Michael Wallis, Jeff Garlin, Eli Marienthal, Mel Winkler, Tom Fahn, Tony Anselm...Golden Globe and Emmy winner Kelsey Grammer (Frasier) breathes new life into the musical adaptation beloved by millions of theatergoers every holiday season as it comes to television filled with hope, holiday cheer and the uplifting power of the human spirit. Charles Dickens’ classic tale still stirs the same feelings of repentance, love, and forgiveness that transformed Scrooge himself.Jimmy is an ordinary cabbie-turned-chauffer who slips into a 2 billion dollar super-spy suit and inadvertantly becomes a dashing sec! ret agent. Fit for trouble this deluxe tux unwittingly thrusts! jimmy a nd his dazzling partner into a dangerous world of internation espionage. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Jackie Chan Jason Isaacs Run time: 99 minutes Rating: Pg13Jackie Chan looks spiffy in The Tuxedo, but the movie needs a tailor. No Jackie Chan movie could be a total misfire, however, and he's charmingly self-effacing here as a hapless chauffeur who inadvertently replaces his injured super-agent boss (Jason Issacs) and foils a madman (Ritchie Coster) who plans to infect the world's water supply (!) and reap a fortune selling pure bottled water. Jackie's a bumbling superhero after donning his boss's high-tech, Inspector Gadget-like tuxedo (it even has a "Mambo" setting), and curvaceous co-agent Jennifer Love Hewitt coaches him in crime fighting while closing in on the bad guys. It's all as routinely ridiculous as it sounds--Jackie's faux James Brown act is the only real highlight--and as critic Roger Ebert observed,! the climax hinges on an insect queen that doesn't exist in nature! So, while Jackie and Jennifer provide a few moments of stellar stunts and random amusement, you can blame this mess on screenwriters who didn't do their homework. --Jeff Shannon

Bad Company

• Dynamic stars and edge-of-your-seat suspense electrify BAD COMPANY, the sexy thriller that's charged with red-hot erotic energy! Laurence Fishburne (WHAT'S LOVE GOT TO DO WITH IT?, THE MATRIX) is Nelson Crowe, a deep-cover CIA operative with a deadly assignment: infiltrate a highly secret industrial espionage firm. Once inside, he teams with Margaret Wells (Ellen Barkin -- SEA OF LOVE, SOM

SWITCH - DVD MovieBlake Edwards (Victor/Victoria) wrote and directed this sharp if somewhat underachieving satire about sexual politics, in which an unrepentant playboy (Perry King), with a long trail of broken hearts behind him, dies and comes back as a woman (Ellen Barkin). Barkin is terrific as a babe with the mind and soul of a stud, and her struggles to reconcile her male impulses with the realities of her new body are the best material in the film. Jimmy Smits is fine as her best friend (back w! hen she was a he, however), and JoBeth Williams is memorable as one of the deceased fellow's castoffs--she ironically becomes an ally of his incarnation as a woman. This isn't Edwards at his greatest, but it's a highly watchable minor entry in his canon. --Tom KeoghA female detective investigating the serial murders of a sexual deviant becomes involved with a woman who is part of a club of prominent and sexually experimantal women; a club that all of the murder victims were members of.
Genre: Mystery
Rating: R
Release Date: 13-JUN-2000
Media Type: DVDDynamic stars and edge-of-your-seat suspense electrify BAD COMPANY, the sexy thriller that's charged with red-hot erotic energy! Laurence Fishburne (WHAT'S LOVE GOT TO DO WITH IT?, THE MATRIX) is Nelson Crowe, a deep-cover CIA operative with a deadly assignment: infiltrate a highly secret industrial espionage firm. Once inside, he teams with Margaret Wells (Ellen Barkin -- SEA OF L! OVE, SOMEONE LIKE YOU) a master spy and seductive manipulator,! in a pl ot to overthrow the organization's sinister president (Frank Langella -- DAVE). It's an explosive situation as this dangerous power play leads Crowe and Wells into a darkly mysterious web of intrigue -- and shocking murder!Laurence Fishburne is so cool and confident as rogue CIA man Nelson Crowe he looks born to the game. Wearing a cagey smile and exuding a fierceness beneath his calm, he runs through a battery of tests under the watchful eyes of Ellen Barkin (whose crooked grin reveals she's interested in more than simply his professional abilities) and Frank Langella. Barkin and Langella run "The Toolshed," a private-sector version of the CIA that provides security, investigations, and covert work such as blackmail and espionage, and they've got plans for Fishburne. Little do they know that he's not as rogue as they think. As Barkin plots her palace coup with Fishburne as her strong-arm partner, CIA agent Michael Murphy (at his most sleazy and manipulative in an unbilled r! ole) plans his own takeover. Fishburne's role recalls Deep Cover, another film where the cop finds himself so in tune with his undercover part that he becomes as ruthless as the people he's investigating. Bad Company is rarely as compelling as Deep Cover, but its cleverly twisting plot (by veteran mystery scribe Ross Thomas) and roll call of corruption makes for an entertainingly cynical thriller. Director Damian Harris proves an adept stylist with his low-key direction and sleekly handsome look, but Fishburne makes the film with quiet menace and cold-blooded efficiency oozing from under his calculated reserve. --Sean Axmaker