Sunday, November 27, 2011

PaperMate Pink Pearl Premium Medium Rubber Eraser, 3-Count (70502PP)

The Dukes of Hazzard: The Complete First Season

  • Actors: Tom Wopat, John Schneider, Catherine Bach, Denver Pyle, James Best.
  • Format: Closed-captioned, Color, DVD, Subtitled, NTSC.
  • Language: English (Dolby Digital 2.0 Mono). Subtitles: English, Spanish, French.
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 637 minutes.
Join Luke and Bo Duke--a couple of good old boys--and their cousin Daisy Duke as they stay just ahead of the sheriff in their souped-up 1969 Dodge Charger, The General Lee, and have fun thwarting the plots of the corrupt county boss.

DVD Features:
Audio Commentary:Commentary by John Schneider and Catherine Bach {episode: One Armed Bandits}
Documentary:The 20th Anniversary Hazzard County Barbeque {reunion documentary RT 30:00}
Featurette:Dukes Driving 101: A High Octane Salute {featurette including interviews w/ professional race car drive! rs RT 8:00}
Other:The Dukes of Hazzard : The Return of the General Lee video game trailer

The Dukes of Hazzard was part of America's redneck fetish in the mid-to-late 1970s, otherwise evident in popular songs, movies, and television shows highlighting fast cars, truckers, citizens' band radio, moonshine, irreverent hicks, and clueless lawmen. Created by writer-producer Gy Waldron and inspired by his own 1975 bootlegging comedy, Moonrunners, Dukes milked seven seasons of material from the tale of a Deep South family of reformed whiskey-makers and their running feud with a greedy impresario and his chief lackey, a buffoonish, venal sheriff.

This three-disc set includes all 13 initial episodes of Dukes from 1979, a period fans fondly recall because some of the programs were shot on location in Covington, Georgia, rather than a Burbank backlot. Also noteworthy is that a couple of key characters, particularly Hazzard County's co! rrupt lawman, Roscoe P. Coltrane (James Best), hadn't gelled y! et into permanent hayseed stereotypes and were arguably more interesting at the beginning. At the center of the action is Sheriff Coltrane's nemeses, cousins Bo Duke (John Schneider) and Luke Duke (Tom Wopat), a couple of wild boys buzzing through the backwoods in the "General Lee," a souped-up Dodge Charger. Bo and Luke are good at heart but have to behave themselves while on indefinite probation, complicating but not halting their efforts to vex Roscoe and his patron, diminutive bigwig Boss Hogg (Sorrell Booke). The enmity runs both ways: Roscoe and Boss Hogg, with the aid of witless Deputy Enos Strate (Sonny Shroyer), dream up ways of eliminating the Dukes--including their wise old Uncle Jesse (Denver Pyle)--but their efforts always backfire.

While every episode is a variation on the previous one, predictability is a virtue in Dukes. The series pilot, "One Armed Bandits," finds Luke and Bo, with help from their sexy cousin, Daisy (Catherine Bach), diverting slot machi! nes (smuggled into Hazzard County by Roscoe and Boss Hogg) to sundry watering holes where they can raise money for Bo's girlfriend's charity. In "Money to Burn," Boss Hogg tries to frame Bo and Luke for robbing an armored truck, while in "Deputy Dukes," the unarmed guys are forced by Roscoe to escort a deadly prisoner from one town to another. The Dukes hit back in "Daisy's Song," investigating a scam that took Daisy for $50 and implicates, of course, Boss Hogg and Roscoe.

Yes, it's a show about rubes, car stunts, and a legacy of moonshine, but there's something comforting about it, in a tongue-in-cheek way. --Tom Keogh

10 Things I Hate About You

  • A cool cast of young stars is just one of the things you ll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon Levitt Halloween: H20, TV s 3rd Rock From The Sun) instantly falls for Bianca (Larisa Oleynik The Baby-Sitters Club), the gorgeous girl of his dreams! The only problem is that Bianca is forbidden to date.until her ill-tempered, completely un-
Ellie, a free-spirited and headstrong young woman is left in charge of a residential home over the Christmas holidays. Her youth and inexperience bring her into bitter conflict with the four grumpy old residents. HOW ABOUT YOU deals with the hilarious antics of this uncivilized group, an unlikely romance, and the gradual solidarity that develops between the residents and Ellie, in this critically acclaimed heartwarming and irresistible film.A cool cast of young stars is just one of the things you'll ! love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon-Levitt -- HALLOWEEN: H2O, TV's "3RD Rock From The Sun") instantly falls for Bianca (Larisa Oleynik -- THE BABY SITTERS CLUB), the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date ... until her ill-tempered, completely un-dateable older sister Kat (Julia Stiles -- THE BOURNE IDENTITY, SAVE THE LAST DANCE) goes out too! In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad-boy (Heath Ledger -- A KNIGHT'S TALE, THE PATRIOT) with a nasty reputation of his own! Also featuring a hip soundtrack -- this witty comedy is a wildly entertaining look at exactly how far some guys will go to get a date!It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce about a surly wench and the man who tries to win h! er and transfers it to modern-day Padua High School. Kat Strat! ford (Ju lia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

The New Christian Traveler's Guide to the Holy Land

BRONZE FAMILY TREE PICTURE FRAME - BRONZE FAMILY TREE WITH 6 HANGING PICTURE ...

Posers, Fakers, and Wannabes: Unmasking the Real You (TH1NK)

Harsh Times

  • (Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test.which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRA
(Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test...which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRAINING DAY, U-571 and THE FAST AND THE FURIOUSBleak as its South Central Los Angeles setting, Harsh T! imes is like a suicidal vortex swallowing men who ought to know better but can't stop their self-destruction. Christian Bale stars as Jim Davis, a stressed-out, former Army Ranger who becomes a very bad influence on his weak-willed buddy, Mike Alvarez (Freddy Rodriguez of Six Feet Under). Together the two meander through streets at night, getting drunk and stoned, finding trouble for its own sake and inviting danger as a ritual of machismo bonding. Mike's wife, Sylvia (Eva Longoria), a lawyer whom Mike, working as a telemarketer, put through school, is repelled by Jim and watches in pain as her spouse chooses a downward spiral over renewal and redemption with her. When Jim's application to join the L.A. police is turned down, he leads Mike into pure anarchy. An impractical change of fortune doesn't help any, and first-time director David Ayer, who wrote the screenplay for Harsh Times years before his script for Training Day, goes to some lengths, dr! amatically and visually, to convey Jim's unhinged condition. T! he drear iness of it all, and a sense that Bale has constructed--but not exactly lived in--another in his gallery of lost, misfit souls, makes it hard to connect with this film. Still, it is hard to turn away from these desperate and dangerous characters. --Tom Keogh

Heavyweights

  • From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to
When a harried businessman and a hapless crook collide on the biggest day of both their careers, the only road seems to lead straight to comic disaster. A workaholic advertising executive (David Paymer) is stuck driving the neighborhood carpool on the day of a make-or-break presentation. A down-on-his luck carnival owner (Tom Arnold), fleeing a bungled robbery, takes the exec and his vanful of kids hostage and begins a comic day-long chase through the city streets where the two men learn some unexpected le! ssons and forge an unlikely friendship.After announcing their intention to get a divorce, a suburban couple suddenly finds themselves locked in the basement together under orders from their kids to reconcile their differences. Soon, others in the neighborhood follow suit, and the basement becomes the crowded prison home for all the local bickering couples.Meet the Stupids. Stanley (Tom Arnold) and Joan (Jessica Lundy) and their kids, Buster and Petunia. They're a nice, typical, suburban American family. Except for one thing. None of them has the sense God gave a lemon. Year: 1996 Director: John Landis Starring: Tom Arnold, Jessica Lundy, Bug HallFrom the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing! , but these hungry kids have a plan of their own. They unite t! o turn t he tables, take back their woodsy hideaway, and challenge the rival camp to the most outrageous summer games of all! You'll laugh out loud with these HEAVYWEIGHTS -- they're big, loud, and proud, and ready to win their way into your heart!

Glory Road (Widescreen Edition)

  • Very Black
COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser hold! s together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry! ).--Steve WieckingCOACH CARTER tells the inspiring true! story o f controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes li! ke, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingAcademy Award nominee Samuel L. Jackson stars in the inspiring true story of controversial high school basketball c! oach Ken Carter, who benched his entire undefeated team for po! or acade mic performance, in order to teach his players the importance of education.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing,! adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingThe studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves through the sport that follow the underdog Miners all the way to an epic showdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Gl! ory Road, an engaging sports movie that dramatizes a pivot! al miles tone in the racial integration of college athletics. While it may not be as rousing as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (un! der heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach Adolph Rupp, whose favored all-white team was no match for Texas Western, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon