Doubt (movie tie-in edition)

• ISBN13: 9781559363471
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Set in 1964 doubt centers on a nun who confronts a priest after suspecting him of abusing a black student. He denies the charges and much of the plays quick-fire dialogue tackles themes of religion morality and authority. Studio: Buena Vista Home Video Release Date: 04/07/2009 Starring: Meryl Streep Amy Adams Run time: 103 minutes Rating: Pg13 Director: John Patrick ShanleyIt's always a risk when writers direct their own work, since some playwrights don't travel well from stage to screen. Aided by Roger Deakins, of No Country for Old Men fame, who vividly captures the look of a blustery Bronx winter, Moonstruck's John Patrick Shanley pulls it off. If Doubt makes for a d! ialogue-heavy experience, like The Crucible and 12 Angry Men, the words and ideas are never dull, and a consummate cast makes each one count. Set in 1964 and loosely inspired by actual events, Shanley focuses on St. Nicholas, a Catholic primary school that has accepted its first African-American student, Donald Miller (Joseph Foster), who serves as altar boy to the warm-hearted Father Flynn (Phillip Seymour Hoffman). Donald may not have any friends, but that doesn't worry his mother, Mrs. Miller (Viola Davis in a scene-stealing performance), since her sole concern is that her son gets a good education. When Sister James (Amy Adams) notices Flynn concentrating more of his attentions on Miller than the other boys, she mentions the matter to Sister Aloysius Beauvier (Meryl Streep), the school's hard-nosed principal. Looking for any excuse to push the progressive priest out of her tradition-minded institution, Sister Aloysius sets out to destroy him, and if th! at means ruining Donald's future in the process--so be it. Nat! urally, she's the least sympathetic combatant in this battle, but Streep invests her disciplinarian with wit and unexpected flashes of empathy. Of all the characters she's played, Sister Aloysius comes closest to caricature, but she never feels like a cartoon; just a sad woman willing to do anything to hold onto what little she has before the forces of change render her--and everything she represents--redundant. --Kathleen C. Fennessy


Stills from Doubt (Click for larger image)

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Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prizeâ€"winning play.

“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of h! igh drama that the audience with which I saw it gasped out lou! d a half -dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”â€"Terry Teachout, The Wall Street Journal

“A breathtaking work of immense proportion. Positively brilliant.”â€"Melissa Rose Bernardo, Entertainment Weekly

“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.”â€"Linda Winer, Newsday

John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailorâ! €™s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

The Last Song

• LAST SONG (DVD MOVIE)

DEAR JOHN - DVD MovieDear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks happen, and John is torn between love ! for Savannah and duty to country. Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)

When Savannah Lynn Curtis comes into his life, John Tyree knows he is ready to turn over a new leaf. An angry rebel, he had enlisted in the army after high school, not knowing what else to do. Then, during a furlough, he meets the girl of his dreams. Savannah Lynn Curtis is attending college in North Carolina, working for Habitat for Humanity, and totally unprepared for the passionate attraction she feels for John Tyree.The attraction is mutual and quickly grows into the kind of love that leaves Savannah vowing to wait for John while he finishes his tour of duty, and John realizing that he's ready to settle down with the young woman who has captured his heart.Neither can foresee that 9/11 is about to change the world and will! force John to risk every hope and dream that he's ever had.Li! ke so ma ny proud men and women, John must choose between love and country. And like all those left behind, Savannah must decide to wait or move on. How do we choose wisely? How can we face loss-without giving up on love? Now, when he finally returns to North Carolina, John will discover that loving Savannah will force him to make the hardest decision of his life. An extraordinary, moving story, DEAR JOHN explores the complexities of love-how it survives time and heartbreak, and how it transforms us forever.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation fi! nds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love--and face the hardest decision of his life.

Go Behind the Scenes of the Motion Picture Dear John (Sony Pictures, 2010)
Starring Amanda Seyfried and Channing Tatum
(Click on each image below to see a larger view)

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Studio: Sony Pictures Home Ent Release Date: 05/25/2010 Run time: 109 minutes Rating: Pg13Dear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks ! happen, and John is torn between love for Savannah and duty to! country . Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)

Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Miley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows Ronnie (Cyrus) and her estranged father as he tries to restore the loving relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with the actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt! story to you won’t soon forget.

Cop Out

• COP OUT (DVD MOVIE)

Action star Bruce Willis and ace comic Tracy Morgan play bickering-but-got-your-back Brooklyn buddy cops. Kevin Smith (Clerks, Chasing Amy) directs the gritty, goofball goings-on as the guys hunt for a stolen 1952 mint-condition baseball card, a hunt plunging them into a gunslinging war with a deadly drug ring. Batter up, fans. The boys are ready to take you out to the ol’ brawl game!

Highwaymen

• Original Release CD

The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with the artists' own legendary personas and well-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the! real draw. --Roy Kasten A man sets out to avenge the death of his wife by tracking down her murderer - a serial killer who hunts and kills women using his '72 El Dorado.

DVD Features:
Other:DTS Sound Widescreen (2.35.1) and Fullscreen versions available on one disc
Theatrical Trailer

11 tracks on the Cd. UPC 074644524024Don Was, the producer who transformed Bonnie Raitt from cult hero to pop star, tried to jump-start the stalled careers of Willie Nelson and Waylon Jennings by producing their recent albums, Across the Borderline and Waymore's Blues (Part II), respectively. This resulted in two artistic triumphs but no hits. That didn't deter Nelson and Jennings from hiring Was to produce their album with Johnny Cash and Kris Kristofferson as the Highwaymen. The Road Goes on Forever is easily the best of the three Highwaymen albums, even if changing radio tastes will probably doom it to the poorest sales of the ! three. The two earlier releases, 1985's Highwaymen and ! 1990's < i>Highwaymen 2, were thrown together as if the sheer star power of the four singers could carry the project. Both albums had their exciting moments when everything clicked but both also had a lot of filler. By contrast, Was approached the new recording as if every song and every arrangement had to be good enough to be a single. He picked one obscure but terrific composition from each of the four singers and supplemented them with equally strong material from four of Texas's best songwriters--Steve Earle, Billy Joe Shaver, Robert Earl Keen Jr., and Stephen Bruton. Nelson's harmonica ace Mickey Raphael and Kristofferson's singing buddy Billy Swan are joined by top L.A. session pros like keyboardist Benmont Tench and drummer Kenny Aronoff to create a sound that has the twangy picking of old-fashioned country and the fat bottom of modern pop. The result is an album with everything: first-rate material, grade-A playing, and inimitable singing. The thread that ties Nelson, Jen! nings, Cash, and Kristofferson together is the crustiness of their voices (a honey-voiced singer like George Jones or Don Gibson would seem out of place in this crowd); when they sing Shaver's "(I'm Going To) Live Forever," they sound as if they're more than halfway there. The Highwaymen are so naturally hard-bitten and world-weary that they can slip a little sentiment into a song without spoiling it. They use this to great advantage on the album's two great outlaw songs, Earle's "The Devil's Right Hand" and Keen's title tune; the gruff tales of violence lead up to a sobering admission of the price paid for such a life. That same gruffness allows the Highwaymen to sing two religious meditations, Jennings's "I Do Believe" and Cash's "Death and Hell," without once sounding sanctimonious. --Geoffrey Himes

Beauty and the Beast

• the beauty and the beast
• Belle
• Picture frame
• photo frame
• bell photo frame

This "tale as old as time" follows the adventures of Belle, a bright young woman who finds herself imprisoned in the castle of a mysterious beast. With the assistance of the castle's enchanted staff, a delightful and tender romance develops between these two unlikely friends and Belle soon learns the most important lesson of all â€" that true beauty comes from within.The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is! too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or una! vailable edition of this title.

Blow

• There?s no money in a ?real job.? So George Jung deals pot. Lots of it. The blue-collar kid dubbed Boston George spirals up from there, into the riches and excesses of the huge cocaine cartels. And crashes hard. Johnny Depp portrays George, the ambitious outlaw who, perhaps more than any American, transformed powder cocaine from relative obscurity in the U.S. into a 1970s/80s feeding frenzy. Penel

Based on a true story, Blow gives us a fast-paced look at the quick rise and fall of George Jung (Johnny Depp) who became a premier importer of Colombian cocaine, in the turbulent 1970's, forever changing the face of drugs in America.

DVD Features:
Audio Commentary
DVD ROM Features
DVD ROM exclusive web site
Documentary
Filmographies
Music Video
Outtakes
Production Notes
Theatrical Trailer

A bri! skly paced hybrid of Boogie Nights and Goodfellas, Blow chronicles the three-decade rise and fall of George Jung (Johnny Depp), a normal American kid who makes a personal vow against poverty, builds a marijuana empire in the '60s, multiplies his fortune with the Colombian Medellín cocaine cartel, and blows it all with a series of police busts culminating in one final, long-term jail sentence. "Your dad's a loser," says this absentee father to his estranged but beloved daughter, and he's right: Blow is the story of a nice guy who made wrong choices all his life, almost single-handedly created the American cocaine trade, and got exactly what he deserved. As directed by Ted Demme, the film is vibrantly entertaining, painstakingly authentic... and utterly aimless in terms of overall purpose.

We can't sympathize with Jung's meteoric rise to wealth and the wild life, and Demme isn't suggesting that we should idolize a drug dealer. So what, exactl! y, is the point of Blow? Simply, it seems, to present J! ung's st ory as the epitome of the coke-driven glory days, and to suggest, ever so subtly, that Jung isn't such a bad guy, after all. Anyone curious about his lifestyle will find this film amazing, and there's plenty of humor mixed with the constant threat of violence and paranoid anxiety. Demme has also populated the film with a fantastic supporting cast (although Penélope Cruz grows tiresome as Jung's hedonistic wife), and this is certainly a compelling look at the other side of Traffic. Still, one wishes that Blow had a more viable reason for being; like a wild party, it leaves you with a hangover and a vague feeling of regret. --Jeff Shannon

The End of Poverty: Economic Possibilities for Our Time

• Paperback in colors of white, green and black.

A landmark exploration of the way out of extreme poverty for the world’s poorest citizens

Among the most eagerly anticipated books of any year, this landmark exploration of prosperity and poverty distills the life work of an economist Time calls one of the world’s 100 most influential people. Sachs’s aim is nothing less than to deliver a big picture of how societies emerge from poverty. To do so he takes readers in his footsteps, explaining his work in Bolivia, Russia, India, China, and Africa, while offering an integrated set of solutions for the interwoven economic, political, environmental, and social problems that challenge the poorest countries. Marrying passionate storytelling with rigorous analysis and a vision as pragmatic as it is fiercely moral, The End of Poverty is a truly indispensable work.Celebra! ted economist Jeffrey Sachs has a plan to eliminate extreme poverty around the world by 2025. If you think that is too ambitious or wildly unrealistic, you need to read this book. His focus is on the one billion poorest individuals around the world who are caught in a poverty trap of disease, physical isolation, environmental stress, political instability, and lack of access to capital, technology, medicine, and education. The goal is to help these people reach the first rung on the "ladder of economic development" so they can rise above mere subsistence level and achieve some control over their economic futures and their lives. To do this, Sachs proposes nine specific steps, which he explains in great detail in The End of Poverty. Though his plan certainly requires the help of rich nations, the financial assistance Sachs calls for is surprisingly modest--more than is now provided, but within the bounds of what has been promised in the past. For the U.S., for instanc! e, it would mean raising foreign aid from just 0.14 percent of! GNP to 0.7 percent. Sachs does not view such help as a handout but rather an investment in global economic growth that will add to the security of all nations. In presenting his argument, he offers a comprehensive education on global economics, including why globalization should be embraced rather than fought, why international institutions such as the United Nations, International Monetary Fund, and World Bank need to play a strong role in this effort, and the reasons why extreme poverty exists in the midst of great wealth. He also shatters some persistent myths about poor people and shows how developing nations can do more to help themselves.

Despite some crushing statistics, The End of Poverty is a hopeful book. Based on a tremendous amount of data and his own experiences working as an economic advisor to the UN and several individual nations, Sachs makes a strong moral, economic, and political case for why countries and individuals should battle poverty with the sa! me commitment and focus normally reserved for waging war. This important book not only makes the end of poverty seem realistic, but in the best interest of everyone on the planet, rich and poor alike. --Shawn Carkonen

Hellbound: Hellraiser II - 20th Anniversary Edition

• In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Relive the nightmare of pleasure and pain as the puzzle box unleashes the depraved hunger of the Cenobites, the unholy birth of the Leviathan Configuration and even the horrific origin of Pinhead (Doug Bradley). Clare H

In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Clare Higgins, Ashley Laurence and Kenneth Cranham co-star in this hit sequel from executive producer Clive Barker that experiences the flesh like no other. The time to play has come again: Surrender yourself to the infernal labyrinth of Hellbound: Hellraiser II.

In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Clare Higgins, Ashley Laurence and Kenneth Cranham co-star in this hit sequel from executive producer Clive Barker that experiences the flesh like no other. The time to play has come again: ! Surrender yourself to the infernal labyrinth of hellbound:! Hellrai ser II â€" The 20^th Anniversary Edition.

SPECIAL FEATURES

The UNRATED version of the classic 1988 release

Audio Commentary with Cast and Crew

60 MINUTES OF NEW FEATURETTES:

The Soul Patrol  - ALL-NEW interviews with Cenobite performers Simon Bamford, Nicholas Vince, and Barbie Wilde.                                      !        

Outside The Box  - ALL-NEW interview with Director Tony Randel about how HELLBOUND shaped his creative future.

The Doctor Is In - ALL-NEW interview with Kenneth Cranham on his experiences playing the villainous Dr. Channard.

Under The Skin  - NEVER BEFORE RELEASED IN THE US interview with Doug Bradley (PINHEAD)

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Definitely not one for the weak of stomach, Hellbound takes up where the first Hellraiser left off, piling on the gore to near camp levels. Luckily, the 1988 sequel retains enough of British horror-meister Clive Barker's macabre wit--like the original, it's based on a Barker story--to save it from the schlock-heap. Hospitalized following her last misadventure, Kirsty (Ashley Laurence) implores authorities to destroy a bloody bed at the carnage scene, but the enigmatic Dr. Channard (Kenneth Cranham) brings an addled patient there and unleashes a dread Cenobite instead. As if that's not bad enough, Kirsty's getting distress calls from her father, who begs her to rescue him fr! om hell. When she journey through hell's dark labyrinths with a mute puzzle solver, however, Kirsty only finds the evil Pinhead (Doug Bradley) and other bizarro creatures, plus her nasty former stepmother and lascivious Uncle Frank. Much maniacal laughter and skin shedding later, the newfound compadres unlock the puzzle box again to safety. Hellbound isn't genius, but it does have flair, which goes a long way toward offsetting Laurence's leaden acting and occasionally over the top gore. --Diane Garrett

The Goonies Poster Print, 24x36 Collections Poster Print, 24x36

• Poster Title: The Goonies Poster Print, 24x36
• Size: 24 x 36 inches

From the imagination of Steven Spielberg, The Goonies plunges a band of small heroes into a swashbuckling surprise-around-every corner quest beyond their wildest dreams! Following a mysterious treasure map into a spectacular underground realm of twisting passages, outrageous booby-traps and a long-lost pirate ship full of golden doubloons, the kids race to stay one step ahead of a family of bumbling bad guys…and a mild mannered monster with a face only a mother could love.You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other ! movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey Brand New Paperback published by Warner Books, ! 1985, 193 pages. Movie-tie-in paperback (book was purchased in! 1985, n ever read and has sat on my bookshelf since). We ship within 24 hours of your purchase with a Delivery Confirmation.You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to bu! y back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey

Decorate your home or office with high quality posters. The Goonies Poster Print, 24x36 is that perfect piece that matches your style, interests, and budget.