Friday, November 11, 2011

Friday Night Lights: The Fourth Season

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The Departed (Single-Disc Widescreen Edition)

  • Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonar
Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate Costello's mob. While Billy is working to gain Costello's trust, ! another young cop, Colin Sullivan (Matt Damon) is among a handful of elite officers whose mission is to bring Costello down. But what his superiors don't know is that Colin is working for Costello, keeping the crimeboss one step ahead of the police. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operation he has penetrated. But when it becomes clear to both the gangsters and the police that they have a mole in their midst, Billy and Colin find themselves in constant danger of being caught-and each must race to uncover the identity of the other man in time to save himself.Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scru! tinized by devoted critics and cinephiles, and while Scorsese'! s intens e filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot un! folds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.

Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas! ), The Departed may not be perfect, but it's one helluv! a ride f or moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon

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Levis Men's Faux Leather Aviator Bomber, Brown, XX-Large

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10 Things I Hate About You

  • 10 THINGS I HATE ABOUT YOU (DVD MOVIE)
Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky c! ritique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomf! ortably with the movie's production values, resulting in a cur! iously p rovocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerStudio: Tcfhe Release Date: 12/09/2008This conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, b! ut Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerAn irresistible cast of Hollywood's young faces star in this fun, sexy comedy hit about the power of attraction and the pressures of popularity! Stung when his bombshell girlfriend abruptly dumps him for a TV celebrity, big man on campus Zack Siler (Freddie Prinze Jr., SCOOBY-DOO, BOYS AN! D GIRLS, DOWN TO YOU) wagers with a classmate he can quickly t! urn any girl -- even the school's biggest geek, Laney Boggs (Rachel Leigh Cook, TEXAS RANGERS, JOSIE AND THE PUSSYCATS) -- into the prom queen! He wasn't, however, betting on falling in love! After an amazing makeover, Laney is transformed from nobody to knockout ... but when she learns of Zack's deception, it could ruin any chance he had with his newfound dream girl! With a hip, modern soundtrack and a hilarious story that audiences loved, this great comedy is all that ... and more!This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring break, he's left dateless for the all-important prom. With a! little goading from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor.

What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a! movie good-natured enough to take time out for an extended hi! p-hop da nce number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns he! r grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily comm! enting on school spirit and popularity. These themes wrestle u! ncomfort ably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerWHATEVER IT TAKES - DVD MovieWhatever It Takes initially seems little more than another comedy with impossibly attractive teenagers trying to get into each other's pants. Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbor and best friend, Maggie (Marla Sokoloff), a cute intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris woo Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention.

At! first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. Which could all be very standard and shallow, but as the story unfolds the movie examines staying true to yourself and finding self-worth in surprisingly trenchant and unpreachy ways. Which is not to say that Whatever It Takes is high-minded--everyone's excessively good-looking and prone to wearing tight or revealing clothing, and there's a subplot about a kid who aspires to achieve school immortality through a topnotch prank. But the movie offers more than you might expect, which sets it apart from many of the recent swarm of teen flicks. --Bret Fetzer10 THINGS I HATE ABOUT YOU - DVD MovieIt's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce ab! out a surly wench and the man who tries to win her and transfe! rs it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energeti! c and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

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Death Race 2000 (Roger Corman's Cult Classics)

  • The 1975 low-budgetic Death Race 2000 takes place in the year 2000, when America s national sport is the death race, a cross-country excursion in which contestants rack up points by killing innocent bystanders. Meanwhile, a revolution is brewing, and rebels disrupt the televised competition in an attempt to overthrow the morally bankrupt President. Will Frankenstein, the mysterious reigning champ
EX-CON JENSEN AMES IS FORCED BY THE WARDEN OF A NOTORIOUS PRISON TO COMPETE IN OUT POST-INDUSTRIAL WORLD'S MOST POPULAR SPORT: A CAR RACE IN WHICH INMATES MUST BRUTALIZE & KILL ONE ANOTHER ON THE ROAD TO VICTORY.DEATH RACE - Blu-Ray MovieMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which cars become lethal weapons. The strength of this new version is its total single-mindedness about vehicular homicide; it has the virtue o! f no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the masked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the setting here is claustrophobic and the cars are largely colorless and i! ndistinguishable from each other. Director Paul W.S. Anderson ! (Res ident Evil) continues to display the sensibility of a video-game addict, which will either be a recommendation or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)











In the world’s most dangerous pris! on, a new game is born: Death Race. The rules of this adrenali! ne-fuele d blood sport are simple, drive â€" or die. When repentant convict Carl Lucas (Luke Goss) discovers there’s a price on his head, his only hope is to survive a twisted race against an army of hardened criminals and tricked-out cars. Also starring Danny Trejo and Ving Rhames, Death Race 2 tells the explosive story of how the legendary race began. Strap yourself in for an insane thrill-ride!Studio: Uni Dist Corp. (mca) Release Date: 01/18/2011From the man who introduced us to Jack Nicholson, Francis Ford Coppola, Jonathan Demme, James Cameron and Martin Scorsese . . . Shout! Factory is proud to present a new collectors series of Roger Corman s most loved productions.


Welcome to the year 2000, now a place plagued by a lack of morals and political unrest. The only thing that society looks forward to is the three-day Transcontinental Death Race, a high-speed competition that is won by the driver who collects the most points by killing spectators and pedestrians. ! But this year the drivers have something to worry about other than getting killed by rival contestants: there is a group of anti-race activists trying to stop the race for good. The games all-time champion, Frankenstein (David Carradine), takes on such colorful characters as Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Nero The Hero (Martin Kove) and Matilda The Hun (Roberta Collins) in this dark comedy-science fiction classic directed by Paul Bartel ( Eating Raoul). ?

Bonus Features:

* New Anamorphic Widescreen (1.85:1) High-Definition Transfer From The Interpositive Film Element

* David On Death Race: Interview with David Carradine

* Audio Commentary With Roger Corman & Mary Woronov

* New Audio Commentary With Assistant Director Lewis Teague And Editor Tina Hirsh

* Playing The Game: Looking Back at Death Race 2000

* Ready To Wear: Interview with costume designer Jane Ruhm
* Designing Dystopia A detailed look at the design of the fi! lms now- legendary race cars, costumes and futuristic landscapes with members of the production, design and costume crew

* Start Your Engines: Interview with author Ib Melchior

* Killer Score: An all-new interview with composer Paul Chihara on the creation of the films eclectic score

* Leonard Maltin Interviews Roger Corman About Death Race 2000

* Theatrical Trailer

* Theatrical Trailer With Commentary By John Landis

* TV And Radio spots

* 12-Page Booklet

* New World Trailers
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Hunter - After The Fall (Book One)

  • Twenty-First Century Civilization Will Soon Collapse
  • Just One In Ten Thousand Will Survive The Apocalypse
  • You Have Been Chosen To Escape The Great Purging
  • Welcome To The Future...

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Maureen! F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.

This science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader w! ill feel for a while." -- Sarah NicolasThis science fiction co! llection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader will feel for a while." -- Sarah NicolasThe apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not! sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor'! s choice Nekropolis. McHugh has also worked on alternat! e realit y games for Halo 2, The Watchmen, and Nine Inch Nails, among others.The apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beaut! iful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the ! test team three years into the future. They are greeted by a n! ew world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited.In volume one of his epic post-apocalyptic adventure saga, master storyteller John Phillip Backus brings this not-so-distant vision of the future to l! ife with intriguing characters, gifted narrative, believable settings and mythic heroes and villains. Driven by a riveting storyline brilliantly illustrated by Asheville, NC artist, Chad Schoenauer, the author weaves his linguistic magic until the reader is utterly immersed in this brave new world and dare not fail to turn the next page for fear of missing out. On his own in the Wyoming wilderness, fourteen years after the End War and its aftermath nearly wiped out the human race, self-exiled survivor, Hunter Macintosh, is suddenly faced with more than he bargained for-three sisters and a child crossing the uncharted wilds alone. Suspicious at first, Hunter soon discovers they've traveled more than three hundred miles to find him, at the request of their father, Adam Planchet-Hunter's former commander and comrade-in-arms-whose besieged Colorado community is at risk of being overrun by lawless hordes! Honor-bound by a pledge made many years earlier, Hunter agrees to return with Elise Planchet to help turn the tide before all is lost. Set against the majestic backdrop of the North American Rockies, Hunter - After The Fall is an engrossing tale of adventure, betrayal and hope, where the true character of an individual is thoroughly tested and the outcome uncertain at best. Join Hunter and Elise as they battle bands of outlaws, enraged grizzlies, numbing blizzards, armed militias and their own stubborn hearts in an epic tale of good-versus-evil in a potential future all too easy to conceive!

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Goodbye My Lover (Piano Vocal, Sheet music.)

  • Published by Hal Leonard 12 Pages
  • (James Blunt)
  • Artist: James Blunt
Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating! director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast! and never lets up, liberating director Roland Joffé (The ! Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating ! director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon GOODBYE MY LOVER Series: Piano Vocal Artist: James Blunt Sheet music.
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Glass Houses (Morganville Vampires, Book 1)

  • ISBN13: 9780451219947
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking! at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of O! micron, which is also available for Kindle.

Reinken! is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altoget! her different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's! one slick piece of work."London 1817

On a cold Jan! uary nig ht, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.London 1817

On a cold January night, former cavalry officer Captain! Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.From the author of the popular Weather Warden series. Welcome to Morganville, Texas.

Just don't stay out aft! er dark.

College freshman Claire Danvers has had en! ough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school's social scene: somewhere less than zero.

When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don't show many signs of life. But they'll have Claire's back when the town's deepest secrets come crawling out, hungry for fresh blood.
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