Flipped [Blu-ray]

• FLIPPED BLU-RAY/DVD/DIGI (BLU-RAY DISC)

When second-graders Bryce and Juli first meet, Juli knows it’s love. Bryce isn’t so sure. In the days and years ahead, Bryce (Callan McAuliffe) does all he can to keep his wannabe girlfriend at arm’s length â€" and the smart, independent-minded Juli (Madeline Carroll) continues to give him the benefit of the doubt. This tender coming-of-age romantic comedy from director Rob Reiner takes the pair from grade school to junior high, through triumph and disaster, family drama and first love, as they make discoveries that will define who they are â€" and who they are to each other.Even if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner treats viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbre! ak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. Told by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bryce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent without a saccharine aftertaste, the overall story is perhaps a tad predictable but is skillfully directed and acted--the families are played by a supporting ! cast of recognizable names, including Aidan Quinn, Anthony Edw! ards, Re becca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draanen. --Jill CorddryThe first time she saw him, she flipped. The first time he saw her, he ran. That was the second grade, but not much has changed by the seventh. She says: “My Bryce. Still walking around with my first kiss.” He says: “It’s been six years of strategic avoidance and social discomfort.” But in the eighth grade everything gets turned upside down. And just as he’s thinking there’s more to her than meets the eye, she’s thinking that he’s not quite all he seemed.

This is a classic romantic comedy of errors told in alternating chapters by two fresh, funny new voices. Wendelin Van Draanen is at her best here with a knockout cast of quirky characters and a hilarious series of misunderstandings and missed opportunities. But underlying the humor are two teens in transitio! n. They are each learning to look beyond the surface of people, both figuring out who they are, who they want to be, and who they want to be with.


From the Hardcover edition.Juli Baker devoutly believes in three things: the sanctity of trees (especially her beloved sycamore), the wholesomeness of the eggs she collects from her backyard flock of chickens, and that someday she will kiss Bryce Loski. Ever since she saw Bryce's baby blues back in second grade, Juli has been smitten. Unfortunately, Bryce has never felt the same. Frankly, he thinks Juli Baker is a little weird--after all, what kind of freak raises chickens and sits in trees for fun? Then, in eighth grade, everything changes. Bryce begins to see that Juli's unusual interests and pride in her family are, well, kind of cool. And Juli starts to think that maybe Bryce's brilliant blue eyes are as empty as the rest of Bryce seems to be. After all, what kind of jerk doesn't care about! other people's feelings about chickens and trees? With F! lipped,< /I> mystery author Wendelin Van Draanen has taken a break from her Sammy Keyes series, and the result is flipping fantastic. Bryce and Juli's rants and raves about each other ring so true that teen readers will quickly identify with at least one of these hilarious feuding egos, if not both. A perfect introduction to the adolescent war between the sexes. (Ages 12 to 14) --Jennifer HubertStudio: Castle Rock Hm Video Release Date: 11/23/2010 Rating: PgEven if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner treats viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbreak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. To! ld by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bryce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent without a saccharine aftertaste, the overall story is perhaps a tad predictable but is skillfully directed and acted--the families are played by a supporting cast of recognizable names, including Aidan Quinn, Anthony Edwards, Rebecca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draane! n. --Jill Corddry

Fever 1793

• ISBN13: 9780689848919
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

During the summer of 1793, Mattie Cook lives above the family coffee shop with her widowed mother and grandfather. Mattie spends her days avoiding chores and making plans to turn the family business into the finest Philadelphia has ever seen. But then the fever breaks out.

Disease sweeps the streets, destroying everything in its path and turning Mattie's world upside down. At her feverish mother's insistence, Mattie flees the city with her grandfather. But she soon discovers that the sickness is everywhere, and Mattie must learn quickly how to survive in a city turned frantic with disease.On the heels of her acclaimed contemporary teen novel Speak, Laurie Halse Anderson surprises her fans ! with a riveting and well-researched historical fiction. Fever 1793 is based on an actual epidemic of yellow fever in Philadelphia that wiped out 5,000 people--or 10 percent of the city's population--in three months. At the close of the 18th century, Philadelphia was the bustling capital of the United States, with Washington and Jefferson in residence. During the hot mosquito-infested summer of 1793, the dreaded yellow fever spread like wildfire, killing people overnight. Like specters from the Middle Ages, gravediggers drew carts through the streets crying "Bring out your dead!" The rich fled to the country, abandoning the city to looters, forsaken corpses, and frightened survivors.

In the foreground of this story is 16-year-old Mattie Cook, whose mother and grandfather own a popular coffee house on High Street. Mattie's comfortable and interesting life is shattered by the epidemic, as her mother is felled and the girl and her grandfathe! r must flee for their lives. Later, after much hardship and ! terror, they return to the deserted town to find their former cook, a freed slave, working with the African Free Society, an actual group who undertook to visit and assist the sick and saved many lives. As first frost arrives and the epidemic ends, Mattie's sufferings have changed her from a willful child to a strong, capable young woman able to manage her family's business on her own. (Ages 12 and older) --Patty Campbell

Vixen (The Flappers)

• ISBN13: 9780385740340
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"! and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but s! he quickly discovers Manhattan is filled with pretty girls who! will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

---

Anna Godberson’s Playl! ist

Bright Young Things may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner
I spend a lot of time in a chair in front of my computer obsessively reworking sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of exper! ience, the kind of beauty that you can only see after you’ve! been wo rn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a California girl to forget.

"Go West" by Liz Phair
People like to make fun of Liz Phair these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and! it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take the Place of Your Man" by Prince
This is also an instant dance party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really cle! ar-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prepared to sing along.

---

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhat! tan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

Who set's today's new trends? At the beginning of a new millennium, who is it that defines what is fashionable, who has the true will to create, who knows how to make glamour a lifestyle? Bright You! ng Things introduces us to some of the most prominent members ! of Ameri ca's younger generation, the high-flyers who set the style, pace and attitudes of their time such as Alexandra and Alexandre von Furstenberg, Aerin Lauder and Eric Zinterhofer, Damian Loeb, Moby, Marina Rust, Andrew Lauren, Serena Altschul, to name a few. And what makes this young, dynamic, styleish group quite interesting, visible and somewhat powerful, is that they are all extremely accomplished individuals in their personal lives, as well as being very accomplished leaders in their relative fields - business, arts, literature, music, movie production, fashion designing, etc. We discover their house, interior and the lives they lead. With contributions by Bill Blass, Brooke Astor, Oscar de la Renta, Diane von Furstenberg, Anh Duong, Carolina Herrera, among others.

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and! Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

For the bright young things of 1929, the beauti! ful days seem endless, filled with romance and heartbreak, adv! enture a nd intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizz! ying last summer of the Jazz Age.

Jazz . . . Booze . . . Boys . . . It’s a dangerous combination.
 
Every girl wants what she can’t have. Seventeen-year-old Gloria Carmody wants the flapper lifestyleâ€"and the bobbed hair, cigarettes, and music-filled nights that go with it. Now that she’s engaged to Sebastian Grey, scion of one of Chicago’s most powerful families, Gloria’s party days are over before they’ve even begun . . . or are they?
 
Clara Knowles, Gloria’s goody-two-shoes cousin, has arrived to make sure the high-society wedding comes off without a hitchâ€"but Clara isn’t as lily-white as she appears. Seems she has some dirty little secrets of her own that she’ll do anything to keep hidden. . . .
 
Lorraine Dyer, Gloria’s social-climbing best friend, is tired of living in Gloria’s shadow. When Lorraine’s envy spills over into desperate spite, no one is safe. And someone’s going to be very sorry. . . .
 
From ! debut author Jillian Larkin, VIXEN is the first novel in the s! exy, dan gerous, and ridiculously romantic new series set in the Roaring Twenties . . . when anything goes.

Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerX-Men: First Class is the thrilling, eye-opening chapter you’ve been waiting for...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took t! he names Professor X and Magneto, they were two young men disc! overing their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together! to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyThe epic adv! enture Thor spans the Marvel universe from present-da! y Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blend! ing elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its p! remise, Branagh's film is a swooping, Jack Kirby-inspired saga! that br ings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

Hush: Moving From Silence to Healing After Childhood Sexual Abuse

• ISBN13: 9780802448644
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Criminal profiler Ivy Dunlap is an expert at unraveling the psyches of the most dangerous men alive. She understands the killer instinct. But even Ivy has her limits. And the Madonna Murderer will test them...

"A deeply engrossing read, Hush delivers a creepy villain, a chilling plot, and two remarkable investigators." (Lisa Gardner)

Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detailâ€"and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family me! mber, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.

The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.

Four months after th! eir separation, marketing consultant Lake Warren faces a tough! legal b attle with her husband, Jack, for custody of their two kids. Though the timing couldn't be worse, she finds herself responding to the flirtations of Dr. Mark Keaton, her handsome colleague at the Advanced Fertility Center. But the morning after their one-night stand, Lake discovers Keaton with his throat slashed.

Afraid of losing her children forever, Lake lies to the policeâ€"and begins searching for the truth on her own before she can be charged with the heinous crime. She starts getting hostile treatment from her coworkers, and strange clues start appearing, quite literally, on her doorstep. Soon Lake is pulled dangerously close to the very dark secrets surrounding the slain man and the clinic where they worked. And suddenly the police are not the only ones hunting Lake Warren.

Theresa Weir writing as Anne Frasier
Originally published by Penguin/NAL 2002
Hush was RITA finalist and USA Today Bestseller

Hush
What's your greatest fear?
It's criminal profiler Ivy Dunlap's job to unravel the psyches of the most dangerous men alive. None haunts her dreams more than the killer who took her son's life sixteen years ago, then silently disappeared into the dark. Now an urgent request for help from the Chicago police has reawakened Ivy's greatest nightmare. The Madonna Murderer has returned to fulfill his calling. This time Ivy understands the killer and will face her greatest fear to stop him from killing again.


Publishers Weekly
Few serial killers penned by suspense writers today are as warped or as fully realized as the Madonna Murderer, who preys on newborn baby boys and their unwed mothers. As if the crime itself isn't bad enough, the killer leaves a musical snow globe that plays "Hush, Little Baby" in the infant's crib as his calling card. It has been nearly two decades since Ivy Dunlap and her infant son were victimized by the Madonna Murderer. Unbeknownst to the killer,! Ivy survived the assault. Her baby didn't. Now a respected cr! iminal p sychologist, Ivy is called into service by the Chicago P.D. when the killer resurfaces after 16 years of dormancy. Her personal interest in the case takes on a sharper edge when she learns that her partner, Detective Max Irving, has a son named Ethan who is the same age her child would have been had he survived. When Ivy tries to rattle the Madonna Murderer by publishing a "dead-baby letter" in the newspaper, the killer becomes more daring; he befriends Ethan, sends Ivy a chunk of his skin bearing a tattoo and expands his profile of victims. Although some readers may be turned off by the novel's graphic nature, a wealth of procedural detail, a heart-thumping finale and two scarred but indelible protagonists make this a first-rate debut.
Copyright 2002 Cahners Business Information, Inc.




Publishers Weekly, April 15, 2002
...a wealth of procedural detail, a heart-thumping finale and two scarred but indelible protagonists make this a firs! t-rate debut.Theresa Weir writing as Anne Frasier
Originally published by Penguin/NAL 2002
Hush was RITA finalist and USA Today Bestseller

Hush
What's your greatest fear?

It's criminal profiler Ivy Dunlap's job to unravel the psyches of the most dangerous men alive. None haunts her dreams more than the killer who took her son's life sixteen years ago, then silently disappeared into the dark. Now an urgent request for help from the Chicago police has reawakened Ivy's greatest nightmare. The Madonna Murderer has returned to fulfill his calling. This time Ivy understands the killer and will face her greatest fear to stop him from killing again.


Publishers Weekly
Few serial killers penned by suspense writers today are as warped or as fully realized as the Madonna Murderer, who preys on newborn baby boys and their unwed mothers. As if the crime itself isn't bad enough, the killer leaves a musical snow globe that plays "Hush, Little Baby" i! n the infant's crib as his calling card. It has been nearly tw! o decade s since Ivy Dunlap and her infant son were victimized by the Madonna Murderer. Unbeknownst to the killer, Ivy survived the assault. Her baby didn't. Now a respected criminal psychologist, Ivy is called into service by the Chicago P.D. when the killer resurfaces after 16 years of dormancy. Her personal interest in the case takes on a sharper edge when she learns that her partner, Detective Max Irving, has a son named Ethan who is the same age her child would have been had he survived. When Ivy tries to rattle the Madonna Murderer by publishing a "dead-baby letter" in the newspaper, the killer becomes more daring; he befriends Ethan, sends Ivy a chunk of his skin bearing a tattoo and expands his profile of victims. Although some readers may be turned off by the novel's graphic nature, a wealth of procedural detail, a heart-thumping finale and two scarred but indelible protagonists make this a first-rate debut.
Copyright 2002 Cahners Business Information, Inc.



Publishers Weekly, April 15, 2002
...a wealth of procedural detail, a heart-thumping finale and two scarred but indelible protagonists make this a first-rate debut.In the summer before their senior year, Coby Rendell and her friends take a beach trip together. Around a campfire on a foggy June night, Coby, Rhiannon, Yvette and the others share their darkest secrets, before a tragic accident shatters the bond between them...Twelve years later Coby attends a birthday party reunion that ends in horror when Yvette's sister's lifeless body is discovered in a hot tub. Soon others in the original group of tale-tellers begin meeting similar fates-unfortunate 'accidents' shrinking their numbers one by one...Conflicted by her growing feelings for Danner Lockwood, the investigating detective, Coby races to unravel a mystery buried in the past. But someone is watching her every move - someone prepared to kill again and again to protect a shocking truth...Childhood sexual abus! e is running rampant, yet it's the best-kept secret in our nat! ion toda y. Its victims grow into adulthood with their little child's heart trapped in the pain and torment of their past. Nicole Braddock Bromley shares her own story and the steps to moving from silence to healing. Hush exposes the harsh realities of childhood abuse, explains the pain it causes, examines the false beliefs it creates, and empowers survivors to begin a personal journey toward healing by breaking the silence.With words of understanding and comfort, Nicole tells the real-life stories of those whose voices would otherwise never be heard. She is straightforward enough to pierce the hearts of those in a survivor's circle of influence, yet careful to tread lightly on what could be tender words.

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